Leonard Nevarez

A sociology professor living in upstate New York, Leonard Nevarez is patiently waiting until his kids are old enough for a family roadtrip to Maryland Deathfest. He blogs at musicalurbanism.org and is writing a book about Martha & the Muffins and the late 70s/early 80s downtown Toronto music scene.

Posts by Leonard

Oranssi Pazuzu

To discuss the album reissues of Finnish black metal band Oranssi Pazuzu, I’m joined by Funky Donny Fred, veteran of a thousand psychic wars. LN: As I live and breathe, it’s Funky Donny Fred! Say, is that a new tattoo on your neck? FDF: Yes it is: “I walk the left hand path”. LN: Hmm, […]

Read More

Hurray For The Riff Raff – “Pa’lante”

2017 is barely three months old — too soon for a “best album of the year” status report? Because I’m thinking The Navigator by Hurray For The Riff Raff is the year’s first serious contender. Bandleader Alynda Segarra has steered this New Orleans-based ensemble for over eight years through a wide-ranging folk-rock sound enlivened by […]

Read More

re-staking their claim: Goldfrapp / Laetitia Sadier

Consider the dilemma of the established alternative musician: as fans’ ears for earlier adventures gets recast as “adult-oriented,” the artist can go on pushing boundaries and hope audiences keep up, or she can return to the sounds she’s most identified her with. If the latter, the question then: is this return done in good faith […]

Read More

Jarvis Cocker & Chilly Gonzales – Room 29

Retired Pulp frontman and emeritus nerd heartthrob Jarvis Cocker returns with a new album to seduce adventurous listeners: Room 29, a collaboration with Canadian composer Chilly Gonzales. This concept album opens onto Hollywood’s Chateau Marmont, where the rich and famous have long indulged their decadences as both escape from and service to the Hollywood celebrity […]

Read More

Martha and the Muffins – The World Is A Ball

As 80s music transcends the level of nostalgia to undergird so much of today’s pop, electronic, dance, and indie rock music, an intriguing album reissue arrives saturated with the sounds and stylistic shifts of 30 years ago. The World Is A Ball, originally released in 1986, is arguably the “lost” album by Martha and the […]

Read More

Stella – “Watch Me Dive”

Go ahead and call her “Stella,” but you’re gonna want to figure how to type the Greek sigma character if the new ∑tella album becomes your sudden obsession like it has for me. [Ed.– Try typing option-w.] “Watch Me Dive” showcases her characteristically lean, concise electro-pop. True, hundreds of synth-based acts work the same musical […]

Read More

King Woman – “Shame”

Through her band King Woman, Kristina Estfandiari presents a new, necessary icon of female power for the current day. Informed but unfulfilled by a prior legacy of women’s music (folk’s room of one’s own, the greater visibility permitted by alt-rock,  riot grrrl’s clarion rage), Estfandiari magnifies an intimate voice of pain through suffocating blocks of […]

Read More

Julie Byrne – “Follow My Voice”

I’ll be honest: it takes a hell of a lot these days for indie-folk music to get me out of my chair. Just because someone can fingerpick chords on a steel-string acoustic guitar and boost the recording echo with GarageBand software doesn’t mean they’ve created music that is “lonesome” or as “pure” as the pre-industrial […]

Read More

Menace Beach – Lemon Memory

The kids in Menace Beach remind us of the essential elements of British alt-rock: punk’s spirited amateurism, a laser-like focus on pop hooks, fluency in the semiotics of guitar-bass-drums, and the good sense to keep things simple. Their new album Lemon Memory goes down like a sweet confection, ten remarkably consistent tracks digestible by even […]

Read More